Monday 27 June 2016

Leo Messi - Mucho Gracias

After Losing the Copa America against Chile, a tearful Messi (I think its the first time we saw him cry on the field ever since that injury in 2007/08 season) said this: The National team is over for me. I think its good for everyone. First for me and then for everyone else. I believe there are a lot of people who want that. Thats already 4 finals. I have tried a lot. Its what is most wanted. For me, its done.

To read a well written article, go here;
https://jenfcb.wordpress.com/2016/06/27/messi-argentina-a-silent-parting-of-ways/

OR https://www.theguardian.com/football/blog/2016/jun/27/argentina-messi?CMP=share_btn_tw

OR http://www.squawka.com/news/the-unbearable-weight-of-a-nation-broke-argentina-talisman-lionel-messi/709173

My humble take on this:

Ever since he has been hailed as one of the greatest football players (since 22 years or so to now when he is 29 and for a lot of players,pundits and fans he is the GOAT) Argentina have desperately waited for Messi to give them a World cup win. They wanted him to do it 'single handedly' a la Maradona (which Maradona never did, no football player can do that), in 1986. They do not care at all that Maradona had an absolutely wonderful team (players, coaching staff and an AFA) behind him. So every time, it didnt work in Argentina's favour the whole blame went to Messi.

2010 W Cup, Messi was the reason Argentina went out in the quarter.
Not AFA who made one of the stupidest decision in football to give the coaching job to a clue less and experience less Maradona, nor was it the fault of Maradona or the other 22 players in the squad.

2011 Copa, Messi was the reason, Argentina lost again.
Not Batista, who wanted Argentina to play beautiful flowing football a la Barca, without having players to do so;
not AFA who pushed Batista to include Tevez in the team (Tevez who have scored only 12 goals for Argentina is considered a saviour by many Argentine critics and media!);
not all the other 22 players who could not score from the 'put me in' passes (a term used by the Late Tito Villanova ) Messi created in that tournament

2014 W Cup, Messi was the only reason Argentina lost in the finals,
not Germany FA, who have been building a strong team ever since their loss in 2006 WC, by sticking to excellent talent building from the bottom levels and using a single tactically astute coach for a very long period (!) (which AFA wont even attempt to) thereby having a much superior and well drilled team ;
not because Argentina played an extreme defensive style with a poor squad (when Germany had the likes of Gotze on the bench, Argentina had Palacio!!);
not Higuain or Palacio, both at the end of open chances (Messi also struck one inches wide, but that was not an open chance as many make it to be. It was considered a chance only because of the high standards Messi has set for himself);
not because AFA will not pay a good salary for their coach, thereby depriving a team from the services of a world class tactician (Sabella was ranked 28/32 coaches in  the salary received list among 2014WC coaches!! and good coaches charge good salary these days).  However, I have to say Sabella did a good job with the squad considering the fact that most of his star players were not fit, but he cannot take the blame away from picking a below average bench

2015 Copa, Messi was the reason, Argentina lost their second finals in a row;
not AFA who once again decided to pick the cheapest coach available for the job, Tata Martino;
not Tata who gave into the AFA and media pressure and picked Tevez into the team in the last minute;
not Tata who was using Messi like a central midfielder even playing Pastore ahead of Messi;
not Tata who was clueless with tactics, absolutely un prepared, in the finals;
not Higuain who once again missed a chance;
not Tevez or other players who missed their penalty kick

2016 Copa, We are yet to see all the blame game, but definitely it will be all Messi (especially since he too missed a penalty);
not Higuain who missed a consecutive third chance in the third finals;
not AFA who is in absolute mess with FIFA appointing a 6 member committee to look after their affairs because of a rigged election;
not AFA who has not paid the coach and his staff for more than 7 MONTHS (!);
not De Maria who has continuously got himself injured in all these 3 tournaments;
not Aguero who wasted 2 good chances which he would normally score;
not Tata who made tactical mistakes by starting DeMaria and asking Banega to support him in the left side; not Tata who once again repeated the typical Argentine mistake to play defensive in the final(!) and again and again.

I think, for once, this time Argentina had a big issue with luck. After a very long time, in this Copa, it looked like their midfield was looking good with the inclusion of Augusto Fernandez. A perfect player to support Banega and Messi. And he got injured in the semis, which meant Tata would call back the service of Biglia, who would be poor in replicating what Augusto does. And that was so evident in the game, with Argentina looking so poor in their midfield, Chile looked better even with a man disadvantage!! Only Messi and Banega played anywhere near an excellent game.

Anyways, from Maradona to many other journalists, so many pundits in Argentina would put all the blame on Messi and am so glad he decided to call it quits, on the very same day. That's a middle finger to all of them. Maradona, out of all the people, should remember that his team mates scored 3 goals for him in 86 finals. Messi's mates, are not able to score even one! Maradona's 86 team played with a 3-5-2, with a packed and excellent midfield, who all played to get the best out of him (An Argentinian legend Passerella sat on the bench for the whole tournament as he didnt agree with the plan to play for Maradona). And dear Deigo, out of all people you know very well (from 2010) that Messi's team mates are nowhere near his wave length and stops running, when Messi has the ball. Yet, you behaving like this is making me very angry. And you were my first sporting idol! Deigo, if you were passing the balls to Higuain in 86, you would not have been a champion too!!!

Both Luis Menotti and Riquelme had said - take care of Messi, he is our only way to glory, and see what they did. Imagine an AFA who force players like Riquelme and Messi into pre mature retirement from their national team.

My point is, I have always felt, Argentina dont deserve Messi. This is a good decision for football. He will not have to do all those grueling travels during the international breaks and summer holidays, meaning, Barca will have a rested Messi. We will be able to enjoy him more with Barca..

Gracias Messi, Mucho Gracias, you did the right thing!!



















Monday 20 June 2016

Ozhivu divasathe Kali: One of the most path breaking cinema from Kerala

I don't remember the exact numbers, but I do have a vague idea about them  numbers, I read from various articles.
In general conviction cases in India, more than 75% of people who suffer capital punishment are always Dalits or Muslims. And whenever the case have anything to do with terrorism, a staggering 93 or 94% those hanged are Dalits or Muslims. Some scholar clearly attributed the reason to the stunningly huge numbers of Brahmin judges. More than 70% of Indian judges are mostly Brahmins and the elite classes. One of the Chief Justice of Indian Supreme Court, not long ago, had infamously spoke about 60% of his (pan Indian) judges being corrupt. So add the routine class and caste issues to the corruption, and we can simply assume the honesty of Indian justice system.  (Recently, last week I think, judges were spotted, queuing up to touch the feet (of) and to take selfies with the Indian Prime Minister!!!)

5 friends, decide to go to a forest bungalow, during an election day, to enjoy the holiday with booze. When the booze stock is done with, they decide to play a game.

In the first few minutes of Ozhivu Divasathe Kaly, I felt - oh dear, this movie looks quite pretentious. Slowly, it takes its own time to get the viewer engaged, it changed in a pleasant manner and it ended as an incredibly brilliant and bold film. It even offerred a lot of laughs. It ends like a thriller, may I say, the last 10 minutes or so kept me scared,  guessing about the next moment and the climax would leave you awestruck. I would dare say that it is one of the most path breaking movie in the history of Malayalam cinema.

Casting, except for a female actress who is there only in the first half of the movie, each and every one looks like first timers, yet none of them looked like acting, they were living in front of the camera

The last 20 or 30 minutes, it was a single shot. And it was bloody brilliant.

This movie was made without a script and one needs to watch it to realise fully, how good it is. When I heard about it, I was thinking, wow, finally in Malayalam a director is inspired by Mike Leigh. But this is really different. ODK is a terribly dialogue driven cinema. And a lot of dialogues sounds like blabbering, deliberately though, with its sync sound. But the important dialogues are all quite clear. I can't help appreciating the boldness of this director in taking this decision - to not have a script and to do sync sound. Just a pity that, I felt the camera was a bit shy to get close to the characters.

In the first half, the movie clearly points to couple of issues with the Malayali pysche - looking down at dark skinned people, assuming every woman who do jobs like cleaning/cooking are 'available' etc.. But it ends up with a huge pointer to casteism and manuvaad issues of not just Kerala, but the whole country.

Main stream Keralites never agree that there are caste issues in Kerala. But, frankly, it does exist in a big way, may not be that visible as in rest of India. To some, the elites and upper castes, it doesn't exist at all. But to some it exist in a subtle way and to the ones on the receiving end it does exist in most aspects of their life!! My sincere most salutes and congratulations to the director and the crew behind this simple, but monster movie with balls the size of cabbages!! (am using a phrase used by Pep Guardiola). Their courage is priceless.



Friday 3 June 2016

Kammatti Paadam, the Paruthiveeran or Subramaniyapuram of Malayalam cinema

In the last 2 decades, Malayalam cinema has not seen another director more consistent than Rajeev Ravi. All his 3 movies has been beautiful, realistic and truthful to the craft of cinema. Inspite of a common thread (of local goons) in all of them, I have been able to appreciate each of them as wonderful cinematic experiences.  

In Kammatti paadam, Mr. Ravi is showing us the other face of 'development'. It is so relieving that amongst the Action hero Biju's and other regular fares, there is a movie which looks away from the norms of the main stream Malayali mentality. I thoroughly enjoyed Kammatti paadam and I would strongly recommend it as a must watch. Should this movie get promoted abroad, am sure, it will make Malayalam cinema proud.  I also think it would be remembered more fondly after a decade, and might be even celebrated.

A lot has been already written about this movie, but there are few things that I think are very important.  

- Any thinking Malayalee cinema fan would agree on one thing, our cinema are infested by characters from upper castes or those from the elite or aspiring to be elite class. The heroes are always Nairs or Menons or Brahmins or from an Orthodox Christian family. It is incredible that even the heroes associates too, are never from the lower castes. We should not forget that the upper castes are not the majority of the Keralan population and in spite of this, most stories are always around a Nair or other upper caste man or family. Hence, Kammattippadam is a very bold and brave attempt. Hero is still suggested to be a Nair, but all those around him, including the two brilliant characters played by Vinayakan (Ganga) and Manikandan Achari (Balan) are definitely from some lower echelons of the caste system. These 2 characters are as or even more important than the hero, and this was a terrific surprise for a Malayalam cinema. 
There are two (or more) instances when the cinema indicates that Krishnan's family looks down upon Ganga and other friends of Krishnan. Ganga is not permitted inside Krishnan's house, nor is the character played by Shaun Romi, which means Krishnan is from an upper caste family. 

I do not know why they still chose the hero from an upper caste family, when everybody around are not. May be the makers wanted to tell us that it was not only the lower castes who suffered, may be. 

Please do not accuse me of a casteist for the above comment. On the contrary. I have always wondered, why our cinema never look at the other side of the mainstream, who unfortunately is the majority. 

 - When all other movies portrays modernity and mainstream middle/upper class aspirations and notions (Action Hero Biju is an excellent example), it is exceptional for a main stream movie to say boldly that a lot of bad has happened, or keeps happening, under this 'development', the modern buzz word. 

- Casting of this movie has been brilliant. Manikandan Achari as Balettan was like an atom bomb. It was only Dulquer, who was a kind of star presence. And we should understand that without at least one actor like him, may be, nobody would have produced this movie. Kerala is not Tamil Nadu where people would still go and watch a movie, if its good, even if all the actors are dark skinned. 

- The action scene in the jail could have been avoided, though. 

- Once again, may I repeat that the performances by Manikandan, Vinayakan and Dulquer were really good, the former two especially.

Am so glad that Malayalam cinema has got Kammatti paadam. My sincere salutes to Rajeev Ravi and P Balachandran, and all others who are behind this exceptional cinema. 

In many ways, for its rawness, honesty and cinematic brilliance Kammatti paadam is the Paruthiveeran or Subramaniyapuram of Malayalam.