After Losing the Copa America against Chile, a tearful Messi (I think its the first time we saw him cry on the field ever since that injury in 2007/08 season) said this: The National team is over for me. I think its good for everyone. First for me and then for everyone else. I believe there are a lot of people who want that. Thats already 4 finals. I have tried a lot. Its what is most wanted. For me, its done.
To read a well written article, go here;
https://jenfcb.wordpress.com/2016/06/27/messi-argentina-a-silent-parting-of-ways/
OR https://www.theguardian.com/football/blog/2016/jun/27/argentina-messi?CMP=share_btn_tw
OR http://www.squawka.com/news/the-unbearable-weight-of-a-nation-broke-argentina-talisman-lionel-messi/709173
My humble take on this:
Ever since he has been hailed as one of the greatest football players (since 22 years or so to now when he is 29 and for a lot of players,pundits and fans he is the GOAT) Argentina have desperately waited for Messi to give them a World cup win. They wanted him to do it 'single handedly' a la Maradona (which Maradona never did, no football player can do that), in 1986. They do not care at all that Maradona had an absolutely wonderful team (players, coaching staff and an AFA) behind him. So every time, it didnt work in Argentina's favour the whole blame went to Messi.
2010 W Cup, Messi was the reason Argentina went out in the quarter.
Not AFA who made one of the stupidest decision in football to give the coaching job to a clue less and experience less Maradona, nor was it the fault of Maradona or the other 22 players in the squad.
2011 Copa, Messi was the reason, Argentina lost again.
Not Batista, who wanted Argentina to play beautiful flowing football a la Barca, without having players to do so;
not AFA who pushed Batista to include Tevez in the team (Tevez who have scored only 12 goals for Argentina is considered a saviour by many Argentine critics and media!);
not all the other 22 players who could not score from the 'put me in' passes (a term used by the Late Tito Villanova ) Messi created in that tournament
2014 W Cup, Messi was the only reason Argentina lost in the finals,
not Germany FA, who have been building a strong team ever since their loss in 2006 WC, by sticking to excellent talent building from the bottom levels and using a single tactically astute coach for a very long period (!) (which AFA wont even attempt to) thereby having a much superior and well drilled team ;
not because Argentina played an extreme defensive style with a poor squad (when Germany had the likes of Gotze on the bench, Argentina had Palacio!!);
not Higuain or Palacio, both at the end of open chances (Messi also struck one inches wide, but that was not an open chance as many make it to be. It was considered a chance only because of the high standards Messi has set for himself);
not because AFA will not pay a good salary for their coach, thereby depriving a team from the services of a world class tactician (Sabella was ranked 28/32 coaches in the salary received list among 2014WC coaches!! and good coaches charge good salary these days). However, I have to say Sabella did a good job with the squad considering the fact that most of his star players were not fit, but he cannot take the blame away from picking a below average bench
2015 Copa, Messi was the reason, Argentina lost their second finals in a row;
not AFA who once again decided to pick the cheapest coach available for the job, Tata Martino;
not Tata who gave into the AFA and media pressure and picked Tevez into the team in the last minute;
not Tata who was using Messi like a central midfielder even playing Pastore ahead of Messi;
not Tata who was clueless with tactics, absolutely un prepared, in the finals;
not Higuain who once again missed a chance;
not Tevez or other players who missed their penalty kick
2016 Copa, We are yet to see all the blame game, but definitely it will be all Messi (especially since he too missed a penalty);
not Higuain who missed a consecutive third chance in the third finals;
not AFA who is in absolute mess with FIFA appointing a 6 member committee to look after their affairs because of a rigged election;
not AFA who has not paid the coach and his staff for more than 7 MONTHS (!);
not De Maria who has continuously got himself injured in all these 3 tournaments;
not Aguero who wasted 2 good chances which he would normally score;
not Tata who made tactical mistakes by starting DeMaria and asking Banega to support him in the left side; not Tata who once again repeated the typical Argentine mistake to play defensive in the final(!) and again and again.
I think, for once, this time Argentina had a big issue with luck. After a very long time, in this Copa, it looked like their midfield was looking good with the inclusion of Augusto Fernandez. A perfect player to support Banega and Messi. And he got injured in the semis, which meant Tata would call back the service of Biglia, who would be poor in replicating what Augusto does. And that was so evident in the game, with Argentina looking so poor in their midfield, Chile looked better even with a man disadvantage!! Only Messi and Banega played anywhere near an excellent game.
Anyways, from Maradona to many other journalists, so many pundits in Argentina would put all the blame on Messi and am so glad he decided to call it quits, on the very same day. That's a middle finger to all of them. Maradona, out of all the people, should remember that his team mates scored 3 goals for him in 86 finals. Messi's mates, are not able to score even one! Maradona's 86 team played with a 3-5-2, with a packed and excellent midfield, who all played to get the best out of him (An Argentinian legend Passerella sat on the bench for the whole tournament as he didnt agree with the plan to play for Maradona). And dear Deigo, out of all people you know very well (from 2010) that Messi's team mates are nowhere near his wave length and stops running, when Messi has the ball. Yet, you behaving like this is making me very angry. And you were my first sporting idol! Deigo, if you were passing the balls to Higuain in 86, you would not have been a champion too!!!
Both Luis Menotti and Riquelme had said - take care of Messi, he is our only way to glory, and see what they did. Imagine an AFA who force players like Riquelme and Messi into pre mature retirement from their national team.
My point is, I have always felt, Argentina dont deserve Messi. This is a good decision for football. He will not have to do all those grueling travels during the international breaks and summer holidays, meaning, Barca will have a rested Messi. We will be able to enjoy him more with Barca..
Gracias Messi, Mucho Gracias, you did the right thing!!
Monday 27 June 2016
Monday 20 June 2016
Ozhivu divasathe Kali: One of the most path breaking cinema from Kerala
I don't remember the exact numbers, but I do have a vague idea about them numbers, I read from various articles.
In general conviction cases in India, more than 75% of people who suffer capital punishment are always Dalits or Muslims. And whenever the case have anything to do with terrorism, a staggering 93 or 94% those hanged are Dalits or Muslims. Some scholar clearly attributed the reason to the stunningly huge numbers of Brahmin judges. More than 70% of Indian judges are mostly Brahmins and the elite classes. One of the Chief Justice of Indian Supreme Court, not long ago, had infamously spoke about 60% of his (pan Indian) judges being corrupt. So add the routine class and caste issues to the corruption, and we can simply assume the honesty of Indian justice system. (Recently, last week I think, judges were spotted, queuing up to touch the feet (of) and to take selfies with the Indian Prime Minister!!!)
5 friends, decide to go to a forest bungalow, during an election day, to enjoy the holiday with booze. When the booze stock is done with, they decide to play a game.
In the first few minutes of Ozhivu Divasathe Kaly, I felt - oh dear, this movie looks quite pretentious. Slowly, it takes its own time to get the viewer engaged, it changed in a pleasant manner and it ended as an incredibly brilliant and bold film. It even offerred a lot of laughs. It ends like a thriller, may I say, the last 10 minutes or so kept me scared, guessing about the next moment and the climax would leave you awestruck. I would dare say that it is one of the most path breaking movie in the history of Malayalam cinema.
Casting, except for a female actress who is there only in the first half of the movie, each and every one looks like first timers, yet none of them looked like acting, they were living in front of the camera
The last 20 or 30 minutes, it was a single shot. And it was bloody brilliant.
This movie was made without a script and one needs to watch it to realise fully, how good it is. When I heard about it, I was thinking, wow, finally in Malayalam a director is inspired by Mike Leigh. But this is really different. ODK is a terribly dialogue driven cinema. And a lot of dialogues sounds like blabbering, deliberately though, with its sync sound. But the important dialogues are all quite clear. I can't help appreciating the boldness of this director in taking this decision - to not have a script and to do sync sound. Just a pity that, I felt the camera was a bit shy to get close to the characters.
In the first half, the movie clearly points to couple of issues with the Malayali pysche - looking down at dark skinned people, assuming every woman who do jobs like cleaning/cooking are 'available' etc.. But it ends up with a huge pointer to casteism and manuvaad issues of not just Kerala, but the whole country.
Main stream Keralites never agree that there are caste issues in Kerala. But, frankly, it does exist in a big way, may not be that visible as in rest of India. To some, the elites and upper castes, it doesn't exist at all. But to some it exist in a subtle way and to the ones on the receiving end it does exist in most aspects of their life!! My sincere most salutes and congratulations to the director and the crew behind this simple, but monster movie with balls the size of cabbages!! (am using a phrase used by Pep Guardiola). Their courage is priceless.
In general conviction cases in India, more than 75% of people who suffer capital punishment are always Dalits or Muslims. And whenever the case have anything to do with terrorism, a staggering 93 or 94% those hanged are Dalits or Muslims. Some scholar clearly attributed the reason to the stunningly huge numbers of Brahmin judges. More than 70% of Indian judges are mostly Brahmins and the elite classes. One of the Chief Justice of Indian Supreme Court, not long ago, had infamously spoke about 60% of his (pan Indian) judges being corrupt. So add the routine class and caste issues to the corruption, and we can simply assume the honesty of Indian justice system. (Recently, last week I think, judges were spotted, queuing up to touch the feet (of) and to take selfies with the Indian Prime Minister!!!)
5 friends, decide to go to a forest bungalow, during an election day, to enjoy the holiday with booze. When the booze stock is done with, they decide to play a game.
In the first few minutes of Ozhivu Divasathe Kaly, I felt - oh dear, this movie looks quite pretentious. Slowly, it takes its own time to get the viewer engaged, it changed in a pleasant manner and it ended as an incredibly brilliant and bold film. It even offerred a lot of laughs. It ends like a thriller, may I say, the last 10 minutes or so kept me scared, guessing about the next moment and the climax would leave you awestruck. I would dare say that it is one of the most path breaking movie in the history of Malayalam cinema.
Casting, except for a female actress who is there only in the first half of the movie, each and every one looks like first timers, yet none of them looked like acting, they were living in front of the camera
The last 20 or 30 minutes, it was a single shot. And it was bloody brilliant.
This movie was made without a script and one needs to watch it to realise fully, how good it is. When I heard about it, I was thinking, wow, finally in Malayalam a director is inspired by Mike Leigh. But this is really different. ODK is a terribly dialogue driven cinema. And a lot of dialogues sounds like blabbering, deliberately though, with its sync sound. But the important dialogues are all quite clear. I can't help appreciating the boldness of this director in taking this decision - to not have a script and to do sync sound. Just a pity that, I felt the camera was a bit shy to get close to the characters.
In the first half, the movie clearly points to couple of issues with the Malayali pysche - looking down at dark skinned people, assuming every woman who do jobs like cleaning/cooking are 'available' etc.. But it ends up with a huge pointer to casteism and manuvaad issues of not just Kerala, but the whole country.
Main stream Keralites never agree that there are caste issues in Kerala. But, frankly, it does exist in a big way, may not be that visible as in rest of India. To some, the elites and upper castes, it doesn't exist at all. But to some it exist in a subtle way and to the ones on the receiving end it does exist in most aspects of their life!! My sincere most salutes and congratulations to the director and the crew behind this simple, but monster movie with balls the size of cabbages!! (am using a phrase used by Pep Guardiola). Their courage is priceless.
Friday 3 June 2016
Kammatti Paadam, the Paruthiveeran or Subramaniyapuram of Malayalam cinema
In the last 2 decades, Malayalam cinema has not seen another director more consistent than Rajeev Ravi. All his 3 movies has been beautiful, realistic and truthful to the craft of cinema. Inspite of a common thread (of local goons) in all of them, I have been able to appreciate each of them as wonderful cinematic experiences.
In Kammatti paadam, Mr. Ravi is showing us the other face of 'development'. It is so relieving that amongst the Action hero Biju's and other regular fares, there is a movie which looks away from the norms of the main stream Malayali mentality. I thoroughly enjoyed Kammatti paadam and I would strongly recommend it as a must watch. Should this movie get promoted abroad, am sure, it will make Malayalam cinema proud. I also think it would be remembered more fondly after a decade, and might be even celebrated.
A lot has been already written about this movie, but there are few things that I think are very important.
- Any thinking Malayalee cinema fan would agree on one thing, our cinema are infested by characters from upper castes or those from the elite or aspiring to be elite class. The heroes are always Nairs or Menons or Brahmins or from an Orthodox Christian family. It is incredible that even the heroes associates too, are never from the lower castes. We should not forget that the upper castes are not the majority of the Keralan population and in spite of this, most stories are always around a Nair or other upper caste man or family. Hence, Kammattippadam is a very bold and brave attempt. Hero is still suggested to be a Nair, but all those around him, including the two brilliant characters played by Vinayakan (Ganga) and Manikandan Achari (Balan) are definitely from some lower echelons of the caste system. These 2 characters are as or even more important than the hero, and this was a terrific surprise for a Malayalam cinema.
There are two (or more) instances when the cinema indicates that Krishnan's family looks down upon Ganga and other friends of Krishnan. Ganga is not permitted inside Krishnan's house, nor is the character played by Shaun Romi, which means Krishnan is from an upper caste family.
I do not know why they still chose the hero from an upper caste family, when everybody around are not. May be the makers wanted to tell us that it was not only the lower castes who suffered, may be.
Please do not accuse me of a casteist for the above comment. On the contrary. I have always wondered, why our cinema never look at the other side of the mainstream, who unfortunately is the majority.
- When all other movies portrays modernity and mainstream middle/upper class aspirations and notions (Action Hero Biju is an excellent example), it is exceptional for a main stream movie to say boldly that a lot of bad has happened, or keeps happening, under this 'development', the modern buzz word.
- Casting of this movie has been brilliant. Manikandan Achari as Balettan was like an atom bomb. It was only Dulquer, who was a kind of star presence. And we should understand that without at least one actor like him, may be, nobody would have produced this movie. Kerala is not Tamil Nadu where people would still go and watch a movie, if its good, even if all the actors are dark skinned.
- The action scene in the jail could have been avoided, though.
- Once again, may I repeat that the performances by Manikandan, Vinayakan and Dulquer were really good, the former two especially.
Am so glad that Malayalam cinema has got Kammatti paadam. My sincere salutes to Rajeev Ravi and P Balachandran, and all others who are behind this exceptional cinema.
In many ways, for its rawness, honesty and cinematic brilliance Kammatti paadam is the Paruthiveeran or Subramaniyapuram of Malayalam.
Tuesday 9 February 2016
Maheshinte Prathikaram
You know, am more than jealous about off beat Tamil cinema of modern days. One of the reasons for this jealousy is because of their beautiful casting. It is not just that these new Tamil cinema creators come up with indigenous stories and cinemas, they also pick up the right people for all those characters, even if those actors are absolutely unknown. They don't care at all about the looks or the lack of any kind of glamour quotient in those actors. In fact, it is only Tamil cinema, who do not have any issues at all with black actors. Every where else in Indian cinema, black skin is looked down at. And it is a big credit to Tamil movie fans that many of these off beat cinema has also done reasonable business in box office. I have always wondered, why Malayalam cinema (we dominated Indian cinema in the 80's with our quality) look spineless when it comes to casting. It is as if directors and producers are scared to test new faces, even if the role is of secondary importance.
Maheshinte Prathikaram has just reassured me, in a big way. Except for Fahad Fazil and Soubin, there are hardly any prominent actors in the whole cast. Still, there is not a single person who have done anything short of excellent. Each and every character, except Fahad, looks like locals, who were picked after a tedious audition process.
MP looks like a simple short story, which has been painstakingly made into a beautiful cinema. Absolutely, this is an excellent entertainer, and am so glad there is one in Malayalam, even if it has come after long time. Frankly, the director seems to have taken some leafs out of Rajeev Ravi's book of cinema making. The result is pure, genuine and indigenous cinema.
All the following make this movie a wonderful entertainer.
- It has a simple thread, reminiscent of a short story, which is told in an even simpler way with beautiful visuals.
- It looks absolutely indigenous:-
with its location - its the first Malayalam cinema after Annayum Rasoolum which let you feel the ambiance of the locality.
and its genuine characters - Sathyan Anthikkad movies always presented characters - as if they were picked from our village - with some exaggerations, where as in MP, they are just realistic. There is nothing unnatural about these people. I really liked that, same as in off beat Tamil cinema, none of the characters in this movie behave as if they have just walked out of a Holly/Bollywood script, or as if they are aspiring for a dreamy Indo-American life. (There is one character of course, but it goes so well with the story) Its normal Malayaalees, all around.
- Wonderful performances from every one, who have simply tried to just be there, no acting.
- When is the last time, we saw, ordinary Malayaalee girls/women talking and behaving like normal people in our cinema? This is applicable to men too. There is hardly any make-up!
- Arguably, the best natural fight scene Malayalam has seen, after Thazhvaram
- A stupendous climax scene too
- There could be a smile in our faces, for nearly the whole length of the cinema!
I do not want to nit pick, but feel it could have done with fewer songs, using some instrumentals instead.
I would also say, they could have found some body else for the role of Fahad Fazil, who would have looked like a typical villager, like all the other characters. Fahad has done a good job, though. But it looks like, the only glamourous guy in the whole of Idukki happens to be living in Prakash city.
I cant wait for the next movie from this debut director, Dileep Pothan. He has given me lots of hope.
Monday 1 February 2016
Best of Jan 16
Ex Machina by Alex Garner 2015 - English/British
There are only couple of science fiction movies I have ever liked. In fact, most of the time I don't even like to watch them. I can add Ex Machina to that small list now. Brilliant cinema.
This is about artificial intelligence, basically. But like in the Tamil, Yanthiran, when the man created robot is instilled with human emotions, man is challenged.
Please do not think at all about this movie as anything like Yanthiran. This is more a thrilling drama, beautifully acted. Really, a must watch. Definitely among the best movies of 2015.
And above all that, to know that this is the debut of a director, brilliant!
45 Years by Andrew Haigh 2015 - English/British
An older couple are about to celebrate their 45th wedding anniversary when they receive a letter. The content (that the body of his first love has been discovered, frozen under the snow in the Swiss Alps) is shocking for the husband. Further developments over the next few days are even more shattering to their marriage.
In some way, this felt more like a Michael Leigh movie, to be frank. What an incredible drama about love and marriage, but quite different from all others. Stunning acting performances from the two veteran actors, Charlotte Rampling and Tom Courtenay. A must watch cinema.
Band de Filles - Girlhood - by Celine Sciamma 2015 - French
The ideal translation should have been Gang of Girls, but like always the English name for this French movie too, is misleading. I loved the two previous movies of this director, both was about teenage girls coming into adult hood. She is again into the same age, and still comes out with a gem.
A teenage girl joins a gang of 3 others, in their poor neighborhood (cite) and slowly her life changes, some for good and some for bad.
A beautiful cinema, wonderfully performed. In fact there are moments in this cinema when I was wondering, how in the world can somebody act so natural like this.. Brilliant.
Macbeth by Justine Kurzel 2015 - British/French/American co production
Another adaptation of the Shakespeare play. However I would say this is the most cinematic of all the theatre adaptations I have seen.
A stunning performance by Michael Fassbender, who seems to be on a never ending climb in his career. With Hunger, Steve Jobs (I didn't like the cinema at all) and Macbeth, he is placing himselves among the very best in contemporary cinema.
The Perfect Day by Fernando Leon de Aranoa, 2015 - English/Spain
The first English movie by this Spanish director, within few minutes we realise why it is made in English. It follows a day of a group of aid workers in war torn Balkans. And obviously the group has people from different countries.
An aid group in the war torn country has to retrieve a dead body from a drinking water well. They just miss something to do this task though, some piece of rope.
This is really a black comedy. A really serious subject told with lots of shades of humour in the fore ground. The director uses a relatively slow pace that we are in some ways forced to look deeper and feel for the villagers and the aid workers.
Straight Outta Compton by F Gary Gray 2015 - Hollywood
About a music band (hip hop) which emerged from difficult back grounds in Los Angeles.
This is a well told, straight forward cinema based on a true story. And excellent music too.
It is ridiculous that this movie, along with Beasts of No Nation, didn't get any mention in the Oscar nominations. For me both these movies are definitely the best I saw from Hollywood 2015. Both have 'black' backgrounds and especially Straight Outta Compton, which actively talks about the harassment of the blacks, by the system, have been completely ignored by the Oscar 'white' awards. Not that I care about these awards, but still how they can be so blunt is beyond me.
Spotlight by Tom McCarthy - 2015 Hollywood
The best one, out of all the Oscar nominated movies.
The investigation by a Boston Globe team of journalists about child sex abuse by Catholic priests, in Boston
A well made cinema, the best part for me was the performance of Mark Ruffalo. The kind of subtle and crystal clear changes he brings in - both in his body language and dialogue delivery - to each and every important character of his, is unbelievable. What an actor.
Room and The Gift too were interesting cinema in the ways in which it got out of its probable cliches , typically possible endings or treatments, with similar themes before. Room concentrated a lot on the child and The Gift simply made a European style climax.
Thursday 31 December 2015
Best of Dec 15
December was excellent. Most of the movies were good with some exceptional ones in between. So difficult to pick the best.
La danza de la realidad -The dance of Reality by Alejandro Jodorowsky - Spanish from Chile -2013
Watching this movie, I felt like, experiencing something co-directed by Fellini and Kusturica. What a beautiful creation this was. This is a must watch, believe me.
A kind of mix of surrealism and magical realism, to tell the story of a father, who goes through a sea change in his character, with assistance from his wife - who only sings her dialogues - and a son.
I must admit, there were more than few thoughts or view points (political/religious) in this movie, which I would not personally agree, but I could forget all that while watching. Such was the power of this cinema. It engages you in a magical way. A brilliant master piece.
Plemya - The Tribe by Miroslav Slaboshpitsky from Ukrain - 2014 - Russian sign language
This movie does not have any dialogues or any background music. But it is a stunning piece of cinema. The story happens in a boarding school for deaf and dumb and all the dialogues are through sign language.
One might doubt that you need to understand the sign language to see this cinema. Well, if you understand its better. But frankly, you don't have to. This movie has the beauty and magic of cinema, in abundance. I do have apprehensions about the story, but I don't care and would rate this as a master piece. Absolutely Brilliant.
Mustang by Denis Gamze Erguven - Turkish - 2015
A beautiful cinema about the life of 5 sisters in a rural family.
Wonderfully acted, Mustang is engaging to the hilt while subtly getting its message through to us. There is not a single moment in which any of these young girls give an impression that they are acting. They were so natural in front of the camera. Incredible.
The only negativity, arguably may be, is that the underlying theme of control over women, is getting quite repetitive when it comes to movies from Iran and Turkey.
It is very sad that, our women (Indian) suffer too, really terribly. But there are hardly any genuine or serious attempts to tell that in our cinema. Most of our movies, which boast as female oriented, turns out to be fake or pretentious.
Gett. Trial of Vivian Amsalem by Ronit Elkabetz, Shlomi Elkabetz - 2015 - Hebrew/French from Israel
I don't like anything about Israel, but really, they make very good movies. And Ronit Elkabetz is a real star. She is a brilliant actress and director too. What a woman. With this movie, she is telling us that life of women in Jewish society is terrible. Her French influence is quite evident in her direction, I think.
The title is nearly the brief of the movie. A woman wants her divorce. But in her religion, she is utterly under the mercy of her man and the clerics.
This is definitely a continuation of the 2004 movie, To Take a Wife. Most of the cinema happens in a small court room. But there is not even a dull second. I felt like killing the bloody husband and the priests. Like most other movies in this list, sorry to say again, this is a must watch too!
La Giovinezza - Youth by Paolo Sorrentino - English from Italy 2015
Last year, Sorrentino charmed with his La Grande Bellezza, and this year he has another movie to remind us, what an excellent film maker he is. His consistency in bringing out 2 master pieces out in consecutive years is incredible.
There is something magical in the way Sorrentino captures his ideas onto screen. He must be among the best in today's directors who can consistently create absolutely stunning imagery on screen. He doesn't even seem to need a really great plot to do this, as it is in La Giovinezza. It seems to be all about aging, friendship, love, pain and what not. Yes, there is so much going on there. But Sorrentino can keep us engaged and hooked to the screen with his mind boggling mastery of visuals and sounds. He also gets the best out of his actors.
Manuscripts dont burn by Mohammad Rasoulof - Persian/Iran - 2013
The Government needs to prevent a certain secret being published by some intellectuals. 2 men are employed to find out the last remaining copies of the manuscripts and they have orders to kill if need be. They too have their own personal lives, though. The movie concentrates on one of them, who is struggling to find money for his kids operation.
Wonderfully shot, this is a stunning and brilliant political thriller. A must watch.
Eden by Mia Hansen-Love - French/France - 2014
In some ways Eden looks like a difficult movie to make. There are hundreds of thousands of young teenagers and men, through out the world, who dream about making it big as a DJ. Eden, follows one such young man and his struggles, over couple of decades.
An excellent cinema about pursuing one's dreams and what it costs for the same.
Kuttram Kadithal by Bramma G - Tamil -2015
Yet again, Tamil cinema comes up with an indigenous movie which can be up there with international cinema.
A young school teacher slaps her naughty student who falls unconscious and later into a coma. So many other ordinary lives too are affected
A wonderfully shot cinema, which is almost an edge of the seat kind for most of its run time. Tamil cinema should be proud about this movie. Except for some bits of unwanted song sequences, the movie is near perfect.
Following European tradition, most important actors are chosen from Theatre and this has lent a very high standard to the movie when it comes to the performances, not to mention the leash of fresh life it induces to the whole cinema experience. The student, the teacher, the principal and his wife, the students mother (sensational, I must say, with hardly any dialogues) and his uncle, all of them were brilliant. My salutes..
Tamil new generation movie makers need to be commented for their boldness in non-conformist casting. Brilliant!!!
Beasts of No Nation by Cary Fukunaga - 2015 - English - American
This is one of those movies which I would call American than Hollywood.
A very young boy is forced to be a soldier in a bloody civil war in some African country
A beautiful cinema, but a painful watch. We would not wish such a fate for any child from anywhere in the world. Must watch, I would say.
The performance by Idris Elba, as a commandant, leading the army of children and teenagers, is exceptional.
Sicario by Denis Villeneuve - 2015 - English/Hollywood
This is what Hollywood can do best, when they really want to, ie to make a genuine movie.
I had 3 reasons why I wanted to watch Sicario - Denis Villeneuve, director of one of my favourite movie - Incendies, the lovely Emily Blunt - whom I adore since I saw Young Victoria, and the majestic Benicio Del Torro.
The movie brief is quite misleading, as it sounds like a typical Hollywood action project. It hardly is. I mean there is action in this movie, but it is devoid of any Hollywood cliches. Wonderfully directed, Sicario is an excellent thriller with a soul.
La danza de la realidad -The dance of Reality by Alejandro Jodorowsky - Spanish from Chile -2013
Watching this movie, I felt like, experiencing something co-directed by Fellini and Kusturica. What a beautiful creation this was. This is a must watch, believe me.
A kind of mix of surrealism and magical realism, to tell the story of a father, who goes through a sea change in his character, with assistance from his wife - who only sings her dialogues - and a son.
I must admit, there were more than few thoughts or view points (political/religious) in this movie, which I would not personally agree, but I could forget all that while watching. Such was the power of this cinema. It engages you in a magical way. A brilliant master piece.
Plemya - The Tribe by Miroslav Slaboshpitsky from Ukrain - 2014 - Russian sign language
This movie does not have any dialogues or any background music. But it is a stunning piece of cinema. The story happens in a boarding school for deaf and dumb and all the dialogues are through sign language.
One might doubt that you need to understand the sign language to see this cinema. Well, if you understand its better. But frankly, you don't have to. This movie has the beauty and magic of cinema, in abundance. I do have apprehensions about the story, but I don't care and would rate this as a master piece. Absolutely Brilliant.
Mustang by Denis Gamze Erguven - Turkish - 2015
A beautiful cinema about the life of 5 sisters in a rural family.
Wonderfully acted, Mustang is engaging to the hilt while subtly getting its message through to us. There is not a single moment in which any of these young girls give an impression that they are acting. They were so natural in front of the camera. Incredible.
The only negativity, arguably may be, is that the underlying theme of control over women, is getting quite repetitive when it comes to movies from Iran and Turkey.
It is very sad that, our women (Indian) suffer too, really terribly. But there are hardly any genuine or serious attempts to tell that in our cinema. Most of our movies, which boast as female oriented, turns out to be fake or pretentious.
Gett. Trial of Vivian Amsalem by Ronit Elkabetz, Shlomi Elkabetz - 2015 - Hebrew/French from Israel
I don't like anything about Israel, but really, they make very good movies. And Ronit Elkabetz is a real star. She is a brilliant actress and director too. What a woman. With this movie, she is telling us that life of women in Jewish society is terrible. Her French influence is quite evident in her direction, I think.
The title is nearly the brief of the movie. A woman wants her divorce. But in her religion, she is utterly under the mercy of her man and the clerics.
This is definitely a continuation of the 2004 movie, To Take a Wife. Most of the cinema happens in a small court room. But there is not even a dull second. I felt like killing the bloody husband and the priests. Like most other movies in this list, sorry to say again, this is a must watch too!
La Giovinezza - Youth by Paolo Sorrentino - English from Italy 2015
Last year, Sorrentino charmed with his La Grande Bellezza, and this year he has another movie to remind us, what an excellent film maker he is. His consistency in bringing out 2 master pieces out in consecutive years is incredible.
There is something magical in the way Sorrentino captures his ideas onto screen. He must be among the best in today's directors who can consistently create absolutely stunning imagery on screen. He doesn't even seem to need a really great plot to do this, as it is in La Giovinezza. It seems to be all about aging, friendship, love, pain and what not. Yes, there is so much going on there. But Sorrentino can keep us engaged and hooked to the screen with his mind boggling mastery of visuals and sounds. He also gets the best out of his actors.
Manuscripts dont burn by Mohammad Rasoulof - Persian/Iran - 2013
The Government needs to prevent a certain secret being published by some intellectuals. 2 men are employed to find out the last remaining copies of the manuscripts and they have orders to kill if need be. They too have their own personal lives, though. The movie concentrates on one of them, who is struggling to find money for his kids operation.
Wonderfully shot, this is a stunning and brilliant political thriller. A must watch.
Eden by Mia Hansen-Love - French/France - 2014
In some ways Eden looks like a difficult movie to make. There are hundreds of thousands of young teenagers and men, through out the world, who dream about making it big as a DJ. Eden, follows one such young man and his struggles, over couple of decades.
An excellent cinema about pursuing one's dreams and what it costs for the same.
Kuttram Kadithal by Bramma G - Tamil -2015
Yet again, Tamil cinema comes up with an indigenous movie which can be up there with international cinema.
A young school teacher slaps her naughty student who falls unconscious and later into a coma. So many other ordinary lives too are affected
A wonderfully shot cinema, which is almost an edge of the seat kind for most of its run time. Tamil cinema should be proud about this movie. Except for some bits of unwanted song sequences, the movie is near perfect.
Following European tradition, most important actors are chosen from Theatre and this has lent a very high standard to the movie when it comes to the performances, not to mention the leash of fresh life it induces to the whole cinema experience. The student, the teacher, the principal and his wife, the students mother (sensational, I must say, with hardly any dialogues) and his uncle, all of them were brilliant. My salutes..
Tamil new generation movie makers need to be commented for their boldness in non-conformist casting. Brilliant!!!
Beasts of No Nation by Cary Fukunaga - 2015 - English - American
This is one of those movies which I would call American than Hollywood.
A very young boy is forced to be a soldier in a bloody civil war in some African country
A beautiful cinema, but a painful watch. We would not wish such a fate for any child from anywhere in the world. Must watch, I would say.
The performance by Idris Elba, as a commandant, leading the army of children and teenagers, is exceptional.
Sicario by Denis Villeneuve - 2015 - English/Hollywood
This is what Hollywood can do best, when they really want to, ie to make a genuine movie.
I had 3 reasons why I wanted to watch Sicario - Denis Villeneuve, director of one of my favourite movie - Incendies, the lovely Emily Blunt - whom I adore since I saw Young Victoria, and the majestic Benicio Del Torro.
The movie brief is quite misleading, as it sounds like a typical Hollywood action project. It hardly is. I mean there is action in this movie, but it is devoid of any Hollywood cliches. Wonderfully directed, Sicario is an excellent thriller with a soul.
Tuesday 1 December 2015
Best of Nov 15
Victoria by Sebastian Schipper - German - 2015
There are few movies out there, which have been completed in a single shot. Making of a cinema is always like creating harmony out of various creative departments, and to make this happen in a single shot requires great vision, planning and pinpoint execution and hence such movies are special. However, with all the past single take movies, one factor was always missing, a la thrill. Most of them were also shot in a single or in a couple of locations.
Victoria is a Spanish girl who has just moved into Berlin for work. After some fun in a night club she comes across a group of boys and develops some feelings for one of them. However, the boys are stuck up in a very dangerous situation and Victoria too gets trapped into it.
The dangerous situation is a bank robbery. And from the above brief itself you would see that this movie cant take place in a couple of locations, right? I think there are more than, at least, a dozen locations in this cinema. Though, the first half is all about getting a bit romantic the second half takes a sudden deviation into pure thrill. Now think about it, all this is shot in a single take. Frankly, it is unbelievable and absolutely brilliant.
I must say, Victoria is not brilliant just because it is a single shot movie. It is an excellent cinema. There are some believable characters too, who are all payed brilliantly. Special mention to Laia Costa who plays Victoria. To think that most scenes must have involved a lot of on the spot improvisations and all.., it is incredible. The second half is as thrilling as any good thriller. It would be a sin to not mention the heroics of the cinematographer, who had to shoot the whole movie in one take, 2 hours plus of a single shot, half of it during night and the rest during dawn. Brilliant.
I cant imagine, how could they conceive and execute this so well. My salutes to all behind this one. Thank You.
La Isla Minima (Minimal Island) Marshland by Alberto Rodriguez - Spanish - 2014
A double murder in a remote Spanish village is investigated by two detectives.
A well taken investigation cinema, with some stunning cinematography.
Diplomacy by Volker Schlondroff - French/German - 2014
Whenever Hollywood wants to talk about atrocities on humanity or human sufferings or historical wrongs, they always go to Europe and the World war. And its always the Jews who suffer. This is another example of how European cinema seem to create master pieces out of world war situations, without Hollywood cliches.
Germany occupied Paris. The allies are closing in on the city and they can capture Paris any moment. Hitler have ordered his General - now acting mayor of Paris - to raze out the city of lights. The Swedish consul is trying his best to prevent the General from doing so.
This cinema takes us into a historic moment, happening in a room, the General's office, and let us witness their whole discussion, which starts sometime very early in the morning and goes on for hours. We see the versions of both sides and why both are so intent on doing their job. 95% of this cinema happens in this room and yet, it feels like a thriller is no mean achievement. Absolutely brilliant performances by the two veteran actors Neils Arestrup and Andre Dussollier. With all my love for the city of Paris, I may be forgiven for looking at this movie as a thriller.
Love - read here
Les Combattants - Love at First fight by Thomas Cailley and Andy Goddard - French 2014
A young man has to fight a fierce young woman in a silly beach competition and falls for her. He is now ready to go to any lengths to impress her. This girl is quite a concrete block though.
Well, that brief would make a typical Hollywood Romantic Comedy and this cinema too is a kind of Romantic Comedy, but very Frenchish with lot of cinematic touches. So do not expect all the fun and grief and twists that you would expect in a normal Rom comedy. Excellent performances, especially by Adele Haenel.
Turist - Force Majeure by Ruben Ostlund - Swedish - 2014
A Swedish family is on a skiing holiday in the French Alps. They face an Avalanche and the mother and children are stunned to see their father running away without any worry for the family.
This is one of those, quite different from rest, intelligent and novel idea for a movie. There are no fatalities from the avalanche and things are back to normal. But how would a family react to a father after such a thing. A really good watch, except that the end was a bit predictable. Some of the frames, embedded in thick white snow, were so beautiful and artistic.
The movie really made me think about how I might react in a similar dangerous situation. Would I put a brave face or would I behave like a coward. Our mind is a strange thing. We never know.
Saturday 21 November 2015
Love
Love by Gaspar Noe English film from France - 2015
Gasper Noe broke my heart with his classic Irreversible, when he let 'my' beautiful Monica Bellucci to be violently raped for more than 15 minutes on screen. Irreversible was brilliant cinema from this Argentinian director, and it was path breaking in its cinematic language and technique and what not. Ever since Love released, I wanted to watch it and this has been a long long wait to get a copy, while I had to listen to all sorts of reviews and comments about it. Most in the English world called it porn cinema or artistic porn or pretentious cinema and so on, but elsewhere the world looked at it differently. Finally, my lady too talked about it as beautiful cinema, and I couldn't wait any more. I got the copy yesterday and to be very frank, I was a little bit disappointed. This could be because my expectations were so high or because of the director himself and the so many varied opinions including my wife's.
Like in En La Cama, the Chilean movie, Love starts with sex. For most of the first half of the cinema, I was kind of disappointed and had so many questions. Is this really Gaspar Noe. Why did he have to make this movie in English, why did this hero had to be American. What is wrong with the love making scenes, which for some reason lacked genuine passion and so on.
Love is about an American man falling in love with a French girl, in Paris, but has to live with another girl because he got her pregnant.
Mr. Noe hasn't forgotten his Irreversible style yet, the flashbacks works backwards in Love. I found the second half excellent and looking back, I must say, this cinema is another path breaker from Noe about relationship and love.
During the second half of the movie, a policeman is talking to the American and he says something in these lines -" You are in France now. Forget about your American feelings. Enjoy it, there are so many beautiful woman out there, go and enjoy with them and forget your possessive nature about your girlfriend, let her enjoy too. There are so many desires of hers which you may not be able to fulfill and vice versa. So trust each other and go out to a night club or sex club and enjoy your sexuality calmly with others as well. There is nothing wrong about it, feel your sexuality and fulfill your desires. As long as your girlfriend know that you are going to get back to her after (just) a sexual adventure, she will be fine and you should do the same to her too. Relax, dont be possessive".
For me, the whole essence of Love, is in these lines. I felt, Gaspar Noe wants to tell the conservative English world to not be possessive about sexuality and relationship. To look at the French and get inspired. To forget their orthodox views about sex and relationships and look at it with a more open mind. By all this he wants them to enjoy their love, sex and life even more.
Looking at it that way, I would say, Love is excellent. But I would also say, the scenes of sex lacked a kind of passion which I could feel, say in La Vie d' Adele. The raw sex scenes, all of them, in LVA looked like love making, while in Love, it looked simply like sex. I hope you get the difference. Love is not exceptionally great cinema, but it is definitely bold (even shows a nude trans gender!), non conformist, treats sex as normality, and have wonderful music and visuals which include raw sex. Acting, mostly, was average though and none of the actors had any kind of charm. I got answers to all my questions by the end of the movie, which is good.
I must say, it is possible that people who are not aware about the French ways, of openness to sexuality and relationships, might easily misunderstand this movie as porn cinema.
Finally, it is such a pity that most of my fellow Indians would never get to watch this movie. Indians need to watch it more than those in the conservative English world. Even if they lack the openness or passion for sex like the French, many in the West do not consider sex only as a means for child production. In India, vast majority strongly do believe in this medieval English rhetoric. This movie is intended for our (Indian) kind of population, where a couple in wedlock is taken for granted as enjoying healthy love life, irrespective of how much love and love-making remains in their relationship.
Gasper Noe broke my heart with his classic Irreversible, when he let 'my' beautiful Monica Bellucci to be violently raped for more than 15 minutes on screen. Irreversible was brilliant cinema from this Argentinian director, and it was path breaking in its cinematic language and technique and what not. Ever since Love released, I wanted to watch it and this has been a long long wait to get a copy, while I had to listen to all sorts of reviews and comments about it. Most in the English world called it porn cinema or artistic porn or pretentious cinema and so on, but elsewhere the world looked at it differently. Finally, my lady too talked about it as beautiful cinema, and I couldn't wait any more. I got the copy yesterday and to be very frank, I was a little bit disappointed. This could be because my expectations were so high or because of the director himself and the so many varied opinions including my wife's.
Like in En La Cama, the Chilean movie, Love starts with sex. For most of the first half of the cinema, I was kind of disappointed and had so many questions. Is this really Gaspar Noe. Why did he have to make this movie in English, why did this hero had to be American. What is wrong with the love making scenes, which for some reason lacked genuine passion and so on.
Love is about an American man falling in love with a French girl, in Paris, but has to live with another girl because he got her pregnant.
Mr. Noe hasn't forgotten his Irreversible style yet, the flashbacks works backwards in Love. I found the second half excellent and looking back, I must say, this cinema is another path breaker from Noe about relationship and love.
During the second half of the movie, a policeman is talking to the American and he says something in these lines -" You are in France now. Forget about your American feelings. Enjoy it, there are so many beautiful woman out there, go and enjoy with them and forget your possessive nature about your girlfriend, let her enjoy too. There are so many desires of hers which you may not be able to fulfill and vice versa. So trust each other and go out to a night club or sex club and enjoy your sexuality calmly with others as well. There is nothing wrong about it, feel your sexuality and fulfill your desires. As long as your girlfriend know that you are going to get back to her after (just) a sexual adventure, she will be fine and you should do the same to her too. Relax, dont be possessive".
For me, the whole essence of Love, is in these lines. I felt, Gaspar Noe wants to tell the conservative English world to not be possessive about sexuality and relationship. To look at the French and get inspired. To forget their orthodox views about sex and relationships and look at it with a more open mind. By all this he wants them to enjoy their love, sex and life even more.
Looking at it that way, I would say, Love is excellent. But I would also say, the scenes of sex lacked a kind of passion which I could feel, say in La Vie d' Adele. The raw sex scenes, all of them, in LVA looked like love making, while in Love, it looked simply like sex. I hope you get the difference. Love is not exceptionally great cinema, but it is definitely bold (even shows a nude trans gender!), non conformist, treats sex as normality, and have wonderful music and visuals which include raw sex. Acting, mostly, was average though and none of the actors had any kind of charm. I got answers to all my questions by the end of the movie, which is good.
I must say, it is possible that people who are not aware about the French ways, of openness to sexuality and relationships, might easily misunderstand this movie as porn cinema.
Finally, it is such a pity that most of my fellow Indians would never get to watch this movie. Indians need to watch it more than those in the conservative English world. Even if they lack the openness or passion for sex like the French, many in the West do not consider sex only as a means for child production. In India, vast majority strongly do believe in this medieval English rhetoric. This movie is intended for our (Indian) kind of population, where a couple in wedlock is taken for granted as enjoying healthy love life, irrespective of how much love and love-making remains in their relationship.
Monday 2 November 2015
Best movies from Oct '15
Man Som Hatar Kvinnor - Men Who Hate Women - 2009 by Niels Arden Oplev - Swedish
aka The Girl with the Dragon Tattoo
A journalist is assisted by a young hacker, who herselves has a troubled past and present, in solving a 40 year old murder mystery.
This is like a cinematic classic amongst all the Nordic Noir masterpieces (TV serials). If you like investigative cinema, then this is a must watch. Please just do not expect the Hollywood style of fantasy investigation and you will be in for a treat of cinematic brilliance.
One of the scenes in this movie is definitely among the best ever revenge scene by a female character in the history of cinema, I believe. This is not a revenge movie, the scene just falls in to the life of the hacker, the girl with the dragon tattoo.
The movie was followed up by two more releases.
Flickan Som Lekte - The Girl who played with Fire and
Luftslottet som Sprangdes - The Girl who kicked the Hornets Nest
Once you watch the first, you would not want to miss the rest of the trilogy and you wont be disappointed.
PU -239 by Scott Z Burns - English/British - 2006
A nuclear plant technician is exposed to radiation, losing his job, has to ensure a good future for his wife and kid.
In many ways, this is a kind of thriller without pretending to be one whilst telling us how dangerous the nuclear world is. Brilliant movie with just one fault - why the hell did they decide to shoot it in English, I wonder. Russian language and actors would have made it much better.
Well, I spend many days watching, Engrenages and I have to say I have become a huge huge fan. Can celluloid ever create something more realistic and more cinematic than this brilliant adaptation of police life.
Engrenages (Spiral) season 2 - 5
Only for the second time, after Sarah Lund from Forbrydelsen, am in love with a character. A simple difference is that I have become a huge fan of the actress too, who played Laure Berthaud. Laure is just one of the many hero cum anti heroes of Engrenages, but she is absolutely brilliant. Laure has many different faces and aspects unlike Sarah immersed in the work fetish Lund. And Laure make us fall in love with her even during her negative moments. She is adorable and charming and thrilling and what not.
Somebody said, France is not rich like Hollywood or HBO as far as production values are concerned. True, its riches lie in its acting and creative talents. There is not a single actor in this series who is not about quality. Am talking about a quality which is above the international standards we are used to. The series itself is co-written - by a Police officer using a pseudonym - that the whole series is unbelievably realistic. It is a continuously evolving web of games between the magistrates, police, lawyers and criminals. There is nothing which looks out of reality. It looks like we are watching some CCTV cameras placed within the system.
This is exactly how Justice system or police must be doing things in their real life. I have never seen or read about a police officer who attested for a police (or system) movie, which he felt is close to reality. Well, there are now police stations in France who keep posters of Engrenages on their walls. That speaks a lot for the authenticity of this show. And the group of actors, all of them picked from French theatre, took the quality to a level above.
France was always about theatre and cinema. They were not that popular for TV serials. Engrenages has changed it and have become its biggest TV export, having already sold to 70 countries. No, I dont think it will ever come to India, as we are obsessed with stupid Hollywood products. Like always, Engrenages too will be remade in the US and it is for sure they will kill it like they did with Forbrydelsen. I dont have any idea how they will recreate the examining judge or the investigating judge of French justice system in the US.
And I should mention about a Hindi cinema too.
Margarita with a straw by Shonali Bose & Nilesh Maniyar - 2015 - Hindi
This was not brilliant cinema for me, just a cute good watch. However, I would always applaud the courage shown by the makers. They have dared to show a female Indian protagonist masturbating on screen, should be a first for Indian cinema. And goes even further, makes the character a bisexual, all that requires huge balls.
Unfortunately, the character is differently abled, which means most of the viewers, including our Censor board, would look at it with lots of pity. I wonder, how would the 'Moral Indians' react to a normal character doing the above on screen.
Its also interesting that whenever our cinema has a differently abled person - as a major character - sh/e is always from a wealthy background. Why dont we dare to pick up such a character from our majority, our poor. All the shining Indians would then accuse the movie for poverty porn, I guess.
The Malayalam movie Pathemmari was a good watch too. It is sad that an actor like Mammooty dont get challenging roles anymore.
The Tamil movie Naanum Rowdi Thaan too was a good watch. An entertainer with lots of well taken funny moments. Vijay Sethupathi, once again, at his best.
Tuesday 6 October 2015
Engrenages - Spiral
Engrenages is a French TV serial. I just watched the first season (2006), which had 8 episodes.
Obviously, it was my interest in Nordic Noir, which led me to Engrenages. It had got excellent reviews from European critics.
Frankly, Engrenages did not look very interesting in the beginning. I really started thinking, ok the French are masters of cinema, but may be not for TV thrillers. Now, that I have got this bad habit of comparing every crime story to the Danish or Scandinavian standards, I argued with Corinne that Engrenages is not really top class. She too agreed.
But then, slowly, by the 4th episode, I realised something. Even with the Danish crime stories, the whole investigation is just after that major crime. If something else happens, they are all some how connected to the initial crime. The excellent Rejseholdet too, which is based on true crime stories, this was the pattern.
Would it be like that in a real life Police department? This is what makes Engrenages different and incredible.
There is the original crime, which is being investigated. But this doesn't mean other crimes dont happen, right?, so, the same officers also have to take care of other matters around them. There is a murder, which is giving head ache to the investigating team, but they are also stressed out by other crimes, another murder by young drug traffickers, a mother under suspicion for killing her baby, a father accused of raping his daughters and so on.
Sure did it take some time for my tube light to get into the same wave length. But therein, everything looked absolutely different.
When you think about it, Engrenages should be the closest to reality of how the justice system work. It is brilliant, to be frank. Crime CID's, Judges, Forensic doctors, Public prosecutors, Perpetrators, victims and witnesses and media (interestingly, media presence is very limited), a whole web of people around crime. None of these characters are black or white. All are normal people with lots of grey matter. Like the Nordic stories, it too goes into the private lives of some of them.
At one point, I even thought, the serial might end stating that the whole system is corrupt. But no, it is not about that. It does say, there is grey every where. But it also tell us how law is helpless sometimes. How the insistence on solid proof prevents the law keepers from ensuring justice. Law may not be absolute.
Engrenages should change our view of how crime stories are told.
If you try to watch, allow some time, please. Inspite of bits of knowledge about the French, it was slow for me. Also, please keep in mind that the French justice system is quite different from ours or the US. So we might find certain aspects strange.
Obviously, it was my interest in Nordic Noir, which led me to Engrenages. It had got excellent reviews from European critics.
Frankly, Engrenages did not look very interesting in the beginning. I really started thinking, ok the French are masters of cinema, but may be not for TV thrillers. Now, that I have got this bad habit of comparing every crime story to the Danish or Scandinavian standards, I argued with Corinne that Engrenages is not really top class. She too agreed.
But then, slowly, by the 4th episode, I realised something. Even with the Danish crime stories, the whole investigation is just after that major crime. If something else happens, they are all some how connected to the initial crime. The excellent Rejseholdet too, which is based on true crime stories, this was the pattern.
Would it be like that in a real life Police department? This is what makes Engrenages different and incredible.
There is the original crime, which is being investigated. But this doesn't mean other crimes dont happen, right?, so, the same officers also have to take care of other matters around them. There is a murder, which is giving head ache to the investigating team, but they are also stressed out by other crimes, another murder by young drug traffickers, a mother under suspicion for killing her baby, a father accused of raping his daughters and so on.
Sure did it take some time for my tube light to get into the same wave length. But therein, everything looked absolutely different.
When you think about it, Engrenages should be the closest to reality of how the justice system work. It is brilliant, to be frank. Crime CID's, Judges, Forensic doctors, Public prosecutors, Perpetrators, victims and witnesses and media (interestingly, media presence is very limited), a whole web of people around crime. None of these characters are black or white. All are normal people with lots of grey matter. Like the Nordic stories, it too goes into the private lives of some of them.
At one point, I even thought, the serial might end stating that the whole system is corrupt. But no, it is not about that. It does say, there is grey every where. But it also tell us how law is helpless sometimes. How the insistence on solid proof prevents the law keepers from ensuring justice. Law may not be absolute.
Engrenages should change our view of how crime stories are told.
If you try to watch, allow some time, please. Inspite of bits of knowledge about the French, it was slow for me. Also, please keep in mind that the French justice system is quite different from ours or the US. So we might find certain aspects strange.
Thursday 1 October 2015
Best movies from Sep '15
Ich Seh Ich Seh - Goodnight Mommy by Severin Fiola, Veronica Franz - 2014- German from Austria
A mother comes back home, after a cosmetic surgery to her face, to her waiting young twins in a beautiful countryside villa. Her face is all bandaged and she also behaves strange that the boys doubt if she is their mother at all.
An excellent example for the beauty of the art of cinema. The movie starts slowly but gets tense and tenser. Am sure towards the last 10 or 20 minutes my mouth was bit open, kind of awe struck. The cinematography is absolutely sensational, with most of the scenes happening inside the villa.
Kis Uykusu - The Winter Sleep by Nuri Blige Ceylan - 2014 - Turkish
A not so successful theatre artist of the past, now enjoying some local fame as a writer, lives with his young wife and divorced sister, in a quite popular homestead. One or two friends, a kind of assistant and his tenants in the village makes up the rest of the characters.
The movie, proceeds through some scenes with long discussions between the couple or some of these characters. These discussions, sometimes, brings out the deep discontent within some of these characters but other times are about 'kind' of philosophical topics. It is very long, a bit more than 3 hours, yet, this is very engaging, speaks volumes about how well it has been made. Often the camera has little to do, but still I found it was a brilliant work. It was incredible that, many a times, I felt, the director was letting us watch some of the hypocrisies of the rich.
A brilliant cinema which make one feel like reading an epic novel.
Gui Lai - Coming home by Yimou Chang - 2014 - Mandarin/China
A couple who got separated because of Cultural revolution. By the time the husband is back from prison, wife has memory issues and do not recognise him. She keeps on waiting for her husband and the husband tries his best to get back to her memory.
Well that story gives the feeling that it could be another cliched Hollywood epic. But not with Yimou Chang. He has made a kind of epic poem out of this story without making it overtly emotional or too much sentimental or not even going into too much of politics, which is omnipresent around. In fact the movie is quite slow, very engaging, with beautiful cinematography. Many of the scenes are very detailed and still have a kind of subtlety to it. However, most of those scenes will touch our heart. The ending is another class act.
Li Gong, what an actress. What a pity that most people, who know about Meryl Streep, do not know about this wonderful actor.
5 to 7 by Victor Levin - 2014 - English/Hollywood
This cinema, in some ways, might look typical of many Hollywood romantic comedies. But there are two remarkable points about the movie.
- that someone is telling how conservative or closed Americans are in private life, when compared to the French or Europeans, barr the British.
- I dont know another Hollywood movie which even mentions the French 'system' of 5 to 7, a technical term for 'legitimate' extra marital affairs. This is the thread behind the movie.
Above all, I would say watch it simply for the stunning, beautiful French actress Berenice Marlohe. She has lovely curves and posture, but her smile takes it all to another level. Her smile lives on, even few seconds after the camera has moved on from her!
I am, again, gotten back into watching 'Nordic Noir' serials.
Den Som Draeber (Those who Kill)
Ornen: En Krime Odysse (Eagle : A Crime Odyssey)
Rejseholdet (Unit One)
All were good. But none felt like Forbrydelsen though. Its funny to know that all the above serials have been remade in America!
Tuesday 1 September 2015
Best movies from August '15
There were so many Barca matches in August. It almost felt like April or May when, usually, Barca has a game every 3rd day. So unusual for the beginning of football season. Watching and re watching those games, I saw fewer movies in August. There were a few gems though.
1. LA FAMILLE BELIER - The Belier Family by Eric Lartigau - 2014 - French
Charming, Cute, Funny, Heartwarming.. I could use many more words to describe this adorable movie.
The Belier's are quite an unique family. Both the father and mother, typical French farmers who sell their cheese in the weekly market, and their young son, all three are dumb and deaf. Only their daughter Paula can speak and is literally the PR person of the family. In school, she realises that she has a talent for singing. Her teacher wants her to apply for the big music school in Paris. But then, what about her family.
This is so stunningly shot on screen, with heart touching performances. Nearly every next scene will touch your heart, make you smile and will let you part with some tears. It goes into certain details, which other movies on dumb and deaf have never tried - for eg. the parents make all the noise, while making love, without realising it. It is though, quite normal for the daughter, the healthy member of the family, to accept it and deal with it.. It is also so nice to listen to all the songs. How beautiful it is, when the characters sing their songs on the screen.
Louane Emera, who plays Paula, was definitely cast for her singing skills, however, at one point I did ask my wife if she was singing for herself, I mean, she was living Paula on the screen. Towards the climax, when she uses sign language, while singing, so that her parents can understand, is so beautiful and really really heart touching. For me, that was one of the most heart warming moments ever in cinema. We should be grateful that such cinema exists.
Also the song, My dear parents, am not running, am flying, is a song from the 70's. At the end of the movie, we wonder if this song was written specifically for this movie. Was the movie built around this song, or they researched around and found this song?
2. Mommy by Xavier Dolan - French from Canada - 2014
Story of a widowed mother, struggling to manage life, and son, who is hyperactive/unpredictable/violent and a woman from the neighborhood who wants to help them. This movie is about parental love, of course. But it can be described simply as violent or unpleasant or heart breaking or what not. Most scenes, even if you disagree with the content, are so intense, really really intense. The son's character and even the movie, especially during its first half, brought back memories of Starred Up. In some ways these two movies are cousins.
3. Ba Wang Bie Ji - Farewell my Concubine by Kaige Chen Mandarin - 1993
Story about 2 friends who meet during their (grueling) training in the Peking Opera. Their friendship continued for 52 years with lots of drama in between.
An absolute period classic from China. I find it hard to believe that every Chinese period movie I have watched, nearly all were excellent. They seem to really have that 'thing' to make wonderful period dramas. This movie is wonderful in its grandeur, but as an epic drama, it does not touch your soul as much as, say, Aftershock. Still a classic.
4. Sunshine on Leith by Dexter Fletcher - British - 2013
A movie about a close knit family told in a musical way. Every time I have watched a western musical, I have had moments when I found myself getting bored, when characters went about singing. But in Sunshine on Leith, every time they sung, it was pleasant and brought a smile on. It was such a pleasing experience.
5. La Fille Du 14 Juillet - The Rendezvous of Deja Vu by Antonin Paretjatko - French - 2014
The English title is quite weird.
This is one more example to prove that the French are masters of exploiting Cinema in the most unexpected or different ways. This movie is old at times and modern at other times. It is incredibly funny, inspite of being weird, is more than sarcastic and still created some feeling for couple of characters, in between. It could even be a meeting of Goddard, Fellini and Kusturica, and this coming from a debutant director, its brilliant.
6. Wild Bill by Dextor Fletcher - Irish - 2012
A father is out from prison on parole and find that his two sons are struggling to live by themselves. Their mother had left them. Being a good father was not his priority at all, but he seem to slowly realise what he was missing. At the same time, his old criminal friends are around too. The story as such may not look that attractive, but for how it is told, this is wonderful cinema with a superb performance by Charley Creed-Miles as the father.
I should also mention about the Hindi movie, Manjhi. A beautiful true story with a wonderful performance from Nawazuddin Ziddiqui, however it all ended up as a lost opportunity. We, Indians, are not really good at making biopics, me thinks.
Thani Oruvan, the new Tamil movie also didnt disappoint as a neatly taken entertainer. The director manage to make Aravind Swami look like a decent actor. Even Mani Ratnam didnt manage that! It is not always that in Indian cinema, there is an intelligent villain, who grows in stature as the cinema progress. It is also rare for us to see a main stream entertainer starting out as a perfect thriller, getting slower and slower as it progress, but keeps on getting more and more engaging. Simply wish if the hero was played by Surya or Vijay though.
Thursday 30 July 2015
Best movies from July 2015
Some of the best I got to watch in July. Hopefully I will manage to do this every month.
1. GRAZELI NATELI DGEEBI - In Bloom - 2013 by Nana Ekvtimishvili & Simon Gross- Georgian
Other than loving movies, why I look so much for watching movies from all around the world, is for the chance to peek into a different culture. Most nations make indigenous movies and when told well, they are such a good documentation of their culture. Many countries may not be able to match the sheer number of movies made by Hollywood and India. But they do make it up with the sheer quality of their cinema, very genuine. They wont have characters imitating Hollywood, or those who want to behave as if they are modernised western version of the local country, they simply stick to their own culture.
In Bloom, is one such gem from Georgia. Its the 90's. 2 teenage girls, friends, have lots of problems in their families and their neighborhood. And it is so nice to watch, when movies depict life so realistically, without artistic pretensions, but still keep it more than engaging.
The toughest job, I think, for a film maker should be to shoot natural life, realistically, in a family or in the neighbourhood and to make it engaging for the viewer, (something which Mike Leigh specialise).
2. A GIRL WALKS HOME ALONE AT NIGHT by Ana Lily Amirpour - 2008 - Persian from USA
For me, this is a masterpiece of a cinema. It takes advantage of all aspects of the medium and is presented by an intelligent director. If you want to watch a typical Iranian movie, you will be in for a shock as this movie about a young vampire in the Iranian bad city, is comic, horror, romantic and suspense all in one, very original, very cinematic movie!
3. BLIND by Eskil Vogt - 2014 - Norwegian
A wife who have just lost her eyesight is killing her time and what else can she do than imagining. And her imagination goes quite wild. It is stunning that even the imagined characters are as powerful as the real. What a creation this movie was? The lines between reality and fiction is sooo blurred, but so cleverly done.
4. KRAFTIDIOTEN - In order of disappearance by Hans Petter Moland - Norwegian - 2014
One more reason for me to substantiate my thinking point, that the Nordic and the French are way ahead of others, in cinema. This is a simple story of a father revenging the murder of his son. But how it is told make it such a wonderful cinematic experience.
5. SILS MARIA - Clouds of Sils Maria by Olivier Assayas - 2014 - French film in English, French & German
What a movie this is. A famous actress had rose to fame at 18, playing a younger character in a cult play (about a complicated relationship between a young employee and her 40 something boss). Now at her 40's she is asked to reverse the role for a new adaptation of the same play. She now has an young assistant, and she starts rehearsing the play with her. At times it become impossible to distinguish between the real cinema and the rehearsal. There is friction because of the characters in the rehearsal, there is friction between the actress and her assistant too, a generation gap evident.
Assayas was the director who gave Juliette Binochet a big break in the mid 80's, and now he is making this movie with her when she is 51. So many things we cant ignore.
Another interesting matter is the levels to which European cinema can elevate a Hollywood actress. I would never dare say Kirsten Stewart as just another Hollywood star, hereafter. She goes toe to toe with Juliette Binochet.
There is a scene during which Juliette Binochet and Kirsten Stewart enjoy a swim in a lake. The uninhibited French she is, Binochet gets nude and jumps into water whereas the cautious Stewart keeps her underwear. That scene, for me, is quite symbolic of some of the differences between Europe and America.
6. SAMBA by Olivier Nakache, Eric Toledano - 2014 - French
Another movie about the European attitude to immigrants, but told in a Romantic comedy style. Samba is told with lots of fun, so its quite entertainment, but it is touching too, will feel like laughing and crying with Samba. What an excellent actor Omay Sy is. And Gainsbourg, I think, its the first time I see a movie in which she has good and funny moments.
7. EN GANSKE SNILL MANN - A somewhat Gentleman by Hans Moland - 2010 - Norwegian
A man who is out of jail after a long time, doesnt have any aspirations with his life. He doesn't mind doing anything, in exchange for some food and shelter.
I have never seen Stellan Starsgard doing funny things. He really comes out of his typical mould. What an actor. The movie also have couple of the funniest sex scenes in cinema, for me.
Finally, there is a distant similarity with the recent Malayalam movie, Munnariyippu.
8. MANDARIINES - Tangerines by Saza Urushadze -2013 - Georgian
Set in the 90's when Georgia is under war. Georgians, Estonians and the separatists feature as the characters in a border village. An Estonian farmer saves two soldiers from opposite sides. Its an excellent watch, once again looking at how war is pointless over humanity.
It is impossible to not think about No Man's land, watching this one, though.
9. PRIDE by Mathew Warchus - 2014 - English/British
Based on true events. The Coal mine workers are on strike. A small group of Lesbian and Gay friends start the LGSM group (Lesbians and Gays Support the Miners) to support their strike, unwelcome though. Later, when the LGBT community goes on for a huge protest in London, the miners revert back their support.
So simple, but so well told, with so much to laugh together with the amazing characters. Beautifully performed by each and every one, this is one of the most simplest feel good movies, for me. Just that, as a cinema, it falls short of reaching the level of Ken Loach movies
The only strange fact would be not to mention at all about the communist background of Mark Ashton, the leader of the LG group. This was, possibly, done to avoid any controversy or negative reactions with the American viewership.
10. NARAYAMA BUSHIKO - Ballard of Narayama - by Shohei Imamura - 1983 - Japaneese
There are few movies about this famous ballad from Japan, about old people being carried to the top of a mountain, as its difficult for the families to feed them, where the old wait for death. Beautiful story and cinema. It would be impossible to not cry at the end of this one.
1. GRAZELI NATELI DGEEBI - In Bloom - 2013 by Nana Ekvtimishvili & Simon Gross- Georgian
Other than loving movies, why I look so much for watching movies from all around the world, is for the chance to peek into a different culture. Most nations make indigenous movies and when told well, they are such a good documentation of their culture. Many countries may not be able to match the sheer number of movies made by Hollywood and India. But they do make it up with the sheer quality of their cinema, very genuine. They wont have characters imitating Hollywood, or those who want to behave as if they are modernised western version of the local country, they simply stick to their own culture.
In Bloom, is one such gem from Georgia. Its the 90's. 2 teenage girls, friends, have lots of problems in their families and their neighborhood. And it is so nice to watch, when movies depict life so realistically, without artistic pretensions, but still keep it more than engaging.
The toughest job, I think, for a film maker should be to shoot natural life, realistically, in a family or in the neighbourhood and to make it engaging for the viewer, (something which Mike Leigh specialise).
2. A GIRL WALKS HOME ALONE AT NIGHT by Ana Lily Amirpour - 2008 - Persian from USA
For me, this is a masterpiece of a cinema. It takes advantage of all aspects of the medium and is presented by an intelligent director. If you want to watch a typical Iranian movie, you will be in for a shock as this movie about a young vampire in the Iranian bad city, is comic, horror, romantic and suspense all in one, very original, very cinematic movie!
3. BLIND by Eskil Vogt - 2014 - Norwegian
A wife who have just lost her eyesight is killing her time and what else can she do than imagining. And her imagination goes quite wild. It is stunning that even the imagined characters are as powerful as the real. What a creation this movie was? The lines between reality and fiction is sooo blurred, but so cleverly done.
4. KRAFTIDIOTEN - In order of disappearance by Hans Petter Moland - Norwegian - 2014
One more reason for me to substantiate my thinking point, that the Nordic and the French are way ahead of others, in cinema. This is a simple story of a father revenging the murder of his son. But how it is told make it such a wonderful cinematic experience.
5. SILS MARIA - Clouds of Sils Maria by Olivier Assayas - 2014 - French film in English, French & German
What a movie this is. A famous actress had rose to fame at 18, playing a younger character in a cult play (about a complicated relationship between a young employee and her 40 something boss). Now at her 40's she is asked to reverse the role for a new adaptation of the same play. She now has an young assistant, and she starts rehearsing the play with her. At times it become impossible to distinguish between the real cinema and the rehearsal. There is friction because of the characters in the rehearsal, there is friction between the actress and her assistant too, a generation gap evident.
Assayas was the director who gave Juliette Binochet a big break in the mid 80's, and now he is making this movie with her when she is 51. So many things we cant ignore.
Another interesting matter is the levels to which European cinema can elevate a Hollywood actress. I would never dare say Kirsten Stewart as just another Hollywood star, hereafter. She goes toe to toe with Juliette Binochet.
There is a scene during which Juliette Binochet and Kirsten Stewart enjoy a swim in a lake. The uninhibited French she is, Binochet gets nude and jumps into water whereas the cautious Stewart keeps her underwear. That scene, for me, is quite symbolic of some of the differences between Europe and America.
6. SAMBA by Olivier Nakache, Eric Toledano - 2014 - French
Another movie about the European attitude to immigrants, but told in a Romantic comedy style. Samba is told with lots of fun, so its quite entertainment, but it is touching too, will feel like laughing and crying with Samba. What an excellent actor Omay Sy is. And Gainsbourg, I think, its the first time I see a movie in which she has good and funny moments.
7. EN GANSKE SNILL MANN - A somewhat Gentleman by Hans Moland - 2010 - Norwegian
A man who is out of jail after a long time, doesnt have any aspirations with his life. He doesn't mind doing anything, in exchange for some food and shelter.
I have never seen Stellan Starsgard doing funny things. He really comes out of his typical mould. What an actor. The movie also have couple of the funniest sex scenes in cinema, for me.
Finally, there is a distant similarity with the recent Malayalam movie, Munnariyippu.
8. MANDARIINES - Tangerines by Saza Urushadze -2013 - Georgian
Set in the 90's when Georgia is under war. Georgians, Estonians and the separatists feature as the characters in a border village. An Estonian farmer saves two soldiers from opposite sides. Its an excellent watch, once again looking at how war is pointless over humanity.
It is impossible to not think about No Man's land, watching this one, though.
9. PRIDE by Mathew Warchus - 2014 - English/British
Based on true events. The Coal mine workers are on strike. A small group of Lesbian and Gay friends start the LGSM group (Lesbians and Gays Support the Miners) to support their strike, unwelcome though. Later, when the LGBT community goes on for a huge protest in London, the miners revert back their support.
So simple, but so well told, with so much to laugh together with the amazing characters. Beautifully performed by each and every one, this is one of the most simplest feel good movies, for me. Just that, as a cinema, it falls short of reaching the level of Ken Loach movies
The only strange fact would be not to mention at all about the communist background of Mark Ashton, the leader of the LG group. This was, possibly, done to avoid any controversy or negative reactions with the American viewership.
10. NARAYAMA BUSHIKO - Ballard of Narayama - by Shohei Imamura - 1983 - Japaneese
There are few movies about this famous ballad from Japan, about old people being carried to the top of a mountain, as its difficult for the families to feed them, where the old wait for death. Beautiful story and cinema. It would be impossible to not cry at the end of this one.
Monday 29 June 2015
A brief list of some must watch Cinema's
It has been very long since I posted something and this post is only because of the pressure from a friend who saw two of the movies in this list and called me back right away.
Each and every one of the following movies deserve very very detailed write ups. But I cant. Watch them, you will not regret it, I bet.
1. Starred Up by David Mckenzie - British - 2014
Simply, this is a prison movie, with a couple of stunning characters. Tension is there through out and that too without any support of background score. It is unbelievable that this kind of a prison thriller, with arguably the greatest prison characters of all time, made me finish it with a tear in my eyes. It is stunningly brilliant, I watched it thrice in a week.
2. Relatos Salvajos - Wild Tales - by Damian Szifron, A Spanish movie from Argentina - 2015
Few short stories, each more crazy and wild than the other, this is absolutely brilliant. Please tell me which story made you more crazy.
3. Hunger by Steve Mcqueen - British - 2008
Until I saw this movie, I always felt the body transformation by Mathew Mcconaughy for Dallas Buyers Club, was out of this world. Well, Michael Fassbender has made the best transformation and performance too. Hunger is a superbly taken cinema. In fact there are only few scenes with any dialogue - believe me its not bohring art house - and one scene with a very long dialogue between two characters, with the camera not even moving a bit - but this is a wonderful cinema
4. Kajaki by Paul Katis - British - 2014
This is a true story , a war movie, like American Sniper. But it will put American Sniper to shame. You will never feel like you are watching a movie. I felt as if I was part of a camera crew following some soldiers in a mine field. Stunning.
5. Timbuktu by Abderrahmane Sissako - from French Mauritania - French/Arabic - 2014
For me, its the first movie which looks inside terrorists or extremists. Beautiful cinema.
6. Respire - Breathe by Melanie Laurent - French - 2014
A brilliant cinema about teenage relationship. An intense drama about two girls getting into a dangerous friendship (no no, its not a lesbian relation), wonderfully acted and told.
7. Gemma Bovery by Anne Fontaine - 2014 - British/French
This is not an exceptional movie, but watch this simply for the wonderful acting of Fabrice Luchini, the amazing French actor. For me, he is among the very best actors in the world. The movie is may be even average, but it has very funny moments, with Luchini at the heart.
8. And from India, please watch the Tamil Kakka Muttai - Brilliant cinema of international quality. For me, it is the best international quality movie, after Pisashu.
There are many more, but am lazy.
Each and every one of the following movies deserve very very detailed write ups. But I cant. Watch them, you will not regret it, I bet.
1. Starred Up by David Mckenzie - British - 2014
Simply, this is a prison movie, with a couple of stunning characters. Tension is there through out and that too without any support of background score. It is unbelievable that this kind of a prison thriller, with arguably the greatest prison characters of all time, made me finish it with a tear in my eyes. It is stunningly brilliant, I watched it thrice in a week.
2. Relatos Salvajos - Wild Tales - by Damian Szifron, A Spanish movie from Argentina - 2015
Few short stories, each more crazy and wild than the other, this is absolutely brilliant. Please tell me which story made you more crazy.
3. Hunger by Steve Mcqueen - British - 2008
Until I saw this movie, I always felt the body transformation by Mathew Mcconaughy for Dallas Buyers Club, was out of this world. Well, Michael Fassbender has made the best transformation and performance too. Hunger is a superbly taken cinema. In fact there are only few scenes with any dialogue - believe me its not bohring art house - and one scene with a very long dialogue between two characters, with the camera not even moving a bit - but this is a wonderful cinema
4. Kajaki by Paul Katis - British - 2014
This is a true story , a war movie, like American Sniper. But it will put American Sniper to shame. You will never feel like you are watching a movie. I felt as if I was part of a camera crew following some soldiers in a mine field. Stunning.
5. Timbuktu by Abderrahmane Sissako - from French Mauritania - French/Arabic - 2014
For me, its the first movie which looks inside terrorists or extremists. Beautiful cinema.
6. Respire - Breathe by Melanie Laurent - French - 2014
A brilliant cinema about teenage relationship. An intense drama about two girls getting into a dangerous friendship (no no, its not a lesbian relation), wonderfully acted and told.
7. Gemma Bovery by Anne Fontaine - 2014 - British/French
This is not an exceptional movie, but watch this simply for the wonderful acting of Fabrice Luchini, the amazing French actor. For me, he is among the very best actors in the world. The movie is may be even average, but it has very funny moments, with Luchini at the heart.
8. And from India, please watch the Tamil Kakka Muttai - Brilliant cinema of international quality. For me, it is the best international quality movie, after Pisashu.
There are many more, but am lazy.
Wednesday 29 January 2014
05 best films of 2013
Every where around, they are talking about Gravity, Captain Philips, The wolf of Wall Street and 12 years a slave.. Why are we so obsessed with the Oscars. For me, none of them are even among the top 10 of 2013, let alone top 05.
05 best films of 2013 - what I saw, from around the world.
La Grande Bellezza - The Great Beauty by Paolo Sorrentino - Italian
This Italian movie is a real master piece of cinema. It is like revisiting the grand golden age of Italian cinema. An age old story, but for the way it is
told, it is so brilliant and soothingly beautiful.
Absolutely, cinema at its best.
Absolutely, cinema at its best.
La Via de'Adele by Abdellatif Kechiche - French
Blue is the warmest colour, the English name has no connection to the French title, though
The (same old) love story of Adele and Emma will make you wonder if cinema could be any more honest. 3 hours will pass like as if we are on a break. Beautiful cinema with unbelievable performances and a warm cinematography
It is a pity that because of all the sexuality a movie like this is out of reach for many Indians.
Yi Dai Zong Shi - The Grand Master by Wong Kar Wai - Chinese
Yet another classic from this acclaimed director, however there is a possibility that one can either love or hate this film. It is an epic action movie, exploring all the avenues of cinema. May it be the choreography or cinematography or editing, the attention to details is simply brilliant. Beautiful cinema.
Blue is the warmest colour, the English name has no connection to the French title, though
The (same old) love story of Adele and Emma will make you wonder if cinema could be any more honest. 3 hours will pass like as if we are on a break. Beautiful cinema with unbelievable performances and a warm cinematography
It is a pity that because of all the sexuality a movie like this is out of reach for many Indians.
Yi Dai Zong Shi - The Grand Master by Wong Kar Wai - Chinese
Yet another classic from this acclaimed director, however there is a possibility that one can either love or hate this film. It is an epic action movie, exploring all the avenues of cinema. May it be the choreography or cinematography or editing, the attention to details is simply brilliant. Beautiful cinema.
Paradies: Hoffnung - Paradise:Hope by Ulrich Seidl - Austrian
This third movie from the Paradise triology, is an example of cinematic brilliance and beauty.
A teenage girl has to spend her summer vacation in a diet camp, for over weights. This movie is funny and serious at the same time.
The Stories We Tell by Sarah Polley - English from Canada
I was drawn to this movie through another brilliant work by this director - Away from Her, a heart touching story of an old couple. If anybody wants to know about how much a director can improve, the answer is there between these two films. Stories we tell is in some ways the biggest experiment a director can attempt. A kind of documentary investigation into a family truth, it turns out that truth can have many faces based on the story teller. Intelligent and trend setting cinema.
In the coming years, we will definitely see many cinemas following the path created by Ms. Polley
And, the following ones definitely require a special mention.
Dirty Wars by Jeremy Scahill - A Documentary from America - Shocking (may be not!) and Brilliant
Valentinas Vienas by Simonas Askelavicius and 3 friends - Lithuanian
An incredibly funny movie about some people on the eve of Valentines day. A brilliant romantic comedy. I am sure soon, we will see this as a Hollywood movie.
Paradesi by Bala - Tamil
Onaayum Aattukuttiyum by Misskin - Tamil
Annayum Rasoolum by Rajeev Ravi - Malayalam
Soodhu Kaavum by Nalan Kumarasamy - Tamil
The following cinemas were special for its brilliant performances.
Artist by Shyama Prasad - Malayalam - for Fahad Fazil and Anne Augustine
Dallas Buyers Club by Jean-Marc Vallee - English - for Matthew McConaughey
Paan Singh Tomar by Tigmanshu Dhulia- Hindi - for Irrfan Khan
Monday 30 September 2013
Onaayum Aattukuttiyum - probably the best thriller ever, from India!
Onaayum Aattukuttiyum by Misskin - Tamil 2013
Within an hour or so, I was sure that I was watching arguably the best thriller from Indian cinema. By the end of it, I thought there was no other Indian movie, that could be compared with OA. If any one thinks there is one, let me know please. However, OA is not just a thrilling movie. There are multi layers to it, that elevates the movie to an even higher level than a brilliant thriller.
I didnt know at all that Mysskin was releasing a new movie. My last experience with him, after the brilliant Yudham Sei, was a terrible disappointment. I could not believe somebody like Mysskin would go for a commerical potboiler like Mughamoodi. But the posters of OA sparked my interest right away, the design and the name - Onaayum Aattukuttiyum (The Wolf and the Lamb) was so appealing that I decided to watch it even before I saw the name of Mysskin in small fonts, under the title. There were hardly 20 people in the cinema and with the very first shot - a dark top angle view of an over bridge and an injured man running into the middle- I think the director impressed me. I am sure he had impressed almost every body inside.
Chandru, a medical student, finds an injured man by the road side, late at night. He tries hard to get help for the man, but hey this is India. Hospitals, Police they all have their own ways. Finally he has to use his own surgical knife, with the help of his teacher (over phone). What follows for Chandru is a day and (majorly) a long night of life inspiring/changing incidents.
There are only a few main characters, and many supporting ones. But even the supporting extra characters impress, each one of them, is not a small feat. The movie proceeds from one dark side of the city to the other to the final Cemetry, and the viewer is more than engaged, inspite of having no idea about the story behind 'Wolf'. The thrilling thread is brilliantly woven to keep the viewer engaged. But the identity of some indivduals joining in different moments, stretching the suspense, can make us wonder - what the hell is happening!!! In that brilliant Cemetery scene, when a fable is told, finally we get the picture. I thought that was a master stroke by Mysskin. Have we ever witnessed anything like this in Indian cinema, when the great Indian technique of 'flash back' is ignored and a kind of short bed time story is narrated out to explain, the events. Among the many scenes, which will make you want to salute Misskin, this story telling moment is one of the best.
The thrilling scene in front of a temple involving the blind mother, the one after that which involves the two police men, the scene in which a police officer speaks out, the final basement ... there are so many superb scenes. In fact more than 90% of the scenes are superb by themselves. I am wondering, if Mysskin wrote the script for OA , as if he was scripting Theatre. The scenes shift from one part of the city to the other and the events and the story slowly unfolds in these different venues. I don't think (not sure), if any of the venue comes back in the script. As the venues change, we can also feel that the movie is going up from one level to other, to a level superior in quality and feel to the previous one. Incredible it was. I am afraid, I am not explaining it well enough.
Brilliant performances by every one in the movie, may I say. That is quite abnormal for Indian cinema. Mysskin has managed to make Camera and Background music two characters by itself. Especially the BGM by Ialaiyaraja will get a lot of reviews. I am not saying OA is a perfect movie. There are few glitches here and there and the one which stood out for me was the performance of Mysskin during the story narration. A bit more subtlety might have made it even brilliant At the same, this is not a polished character, so... But no compliants, Mysskin is definitely the man here. He has scripted, directed and acted in one of the most important roles too. What a make over as an actor, from Nandalala to OA. And an even higher leap to a high quality director.
Mysskin deserves a place among the best directors from India. Friends, we have a man who can make our own movies, in a level even better than what you expect from the ones like Tarantino (I dont like most Tarantino movies). This movie, if marketed well, can make India proud internationally. Of course, one might think about some of those Korean revenge sagas, but thats it, OA is quite a different kind of Indian saga from Tamil.
Within an hour or so, I was sure that I was watching arguably the best thriller from Indian cinema. By the end of it, I thought there was no other Indian movie, that could be compared with OA. If any one thinks there is one, let me know please. However, OA is not just a thrilling movie. There are multi layers to it, that elevates the movie to an even higher level than a brilliant thriller.
I didnt know at all that Mysskin was releasing a new movie. My last experience with him, after the brilliant Yudham Sei, was a terrible disappointment. I could not believe somebody like Mysskin would go for a commerical potboiler like Mughamoodi. But the posters of OA sparked my interest right away, the design and the name - Onaayum Aattukuttiyum (The Wolf and the Lamb) was so appealing that I decided to watch it even before I saw the name of Mysskin in small fonts, under the title. There were hardly 20 people in the cinema and with the very first shot - a dark top angle view of an over bridge and an injured man running into the middle- I think the director impressed me. I am sure he had impressed almost every body inside.
Chandru, a medical student, finds an injured man by the road side, late at night. He tries hard to get help for the man, but hey this is India. Hospitals, Police they all have their own ways. Finally he has to use his own surgical knife, with the help of his teacher (over phone). What follows for Chandru is a day and (majorly) a long night of life inspiring/changing incidents.
There are only a few main characters, and many supporting ones. But even the supporting extra characters impress, each one of them, is not a small feat. The movie proceeds from one dark side of the city to the other to the final Cemetry, and the viewer is more than engaged, inspite of having no idea about the story behind 'Wolf'. The thrilling thread is brilliantly woven to keep the viewer engaged. But the identity of some indivduals joining in different moments, stretching the suspense, can make us wonder - what the hell is happening!!! In that brilliant Cemetery scene, when a fable is told, finally we get the picture. I thought that was a master stroke by Mysskin. Have we ever witnessed anything like this in Indian cinema, when the great Indian technique of 'flash back' is ignored and a kind of short bed time story is narrated out to explain, the events. Among the many scenes, which will make you want to salute Misskin, this story telling moment is one of the best.
The thrilling scene in front of a temple involving the blind mother, the one after that which involves the two police men, the scene in which a police officer speaks out, the final basement ... there are so many superb scenes. In fact more than 90% of the scenes are superb by themselves. I am wondering, if Mysskin wrote the script for OA , as if he was scripting Theatre. The scenes shift from one part of the city to the other and the events and the story slowly unfolds in these different venues. I don't think (not sure), if any of the venue comes back in the script. As the venues change, we can also feel that the movie is going up from one level to other, to a level superior in quality and feel to the previous one. Incredible it was. I am afraid, I am not explaining it well enough.
Brilliant performances by every one in the movie, may I say. That is quite abnormal for Indian cinema. Mysskin has managed to make Camera and Background music two characters by itself. Especially the BGM by Ialaiyaraja will get a lot of reviews. I am not saying OA is a perfect movie. There are few glitches here and there and the one which stood out for me was the performance of Mysskin during the story narration. A bit more subtlety might have made it even brilliant At the same, this is not a polished character, so... But no compliants, Mysskin is definitely the man here. He has scripted, directed and acted in one of the most important roles too. What a make over as an actor, from Nandalala to OA. And an even higher leap to a high quality director.
Mysskin deserves a place among the best directors from India. Friends, we have a man who can make our own movies, in a level even better than what you expect from the ones like Tarantino (I dont like most Tarantino movies). This movie, if marketed well, can make India proud internationally. Of course, one might think about some of those Korean revenge sagas, but thats it, OA is quite a different kind of Indian saga from Tamil.
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